Footage for green screen free download

Flying Seagull on Green Screen Flock of Birds Chroma Key Flock of Birds - Starling Murmuration Flock Of Birds Geese Flock of birds in the sky Many Birds with chroma key Brown Bird Flies Close up. Dove on the green screen Crows Flying over the Pink Clouds Lonely Flying Seagull Little orange chicken walks and pecks chroma key Heron flies in the sky chroma key Brown Bird Came Flying Little orange chicken stands and pecks chroma key Some offer one off-sales while others run via a membership scheme, and there are even some sites which provide green screen footage free of charge.

Motion Array offers over , stock videos, with various pricing plans available. Video footage includes everything from beautiful landscapes to office backgrounds.

With over 2 million royalty-free videos and one of the most popular names on this list, Shutterstock makes for a useful site to use when thinking about greenscreen. The company has a wide range of categories to choose from including aerial shots, celebrities and time-lapse footage. This site provides some free VFX Plates to download and test. It also has different effects like sunglasses reflections. There are some caveats for allowing you to use the clips, like linking back to the website rather than the video page and not hosting the videos yourself, but other than that, they are free to use.

The videos have been uploaded in HD at p and p and the aspect ratios are provided. The site also confirms what ratio has been used so you can get the perfect shot. Green Screen Films offers an alternative if you are looking to use the footage for a commercial. There is also the option for the site to create a video of your choosing. Also, there are many intro and credits clips that you can add to give your green screen videos an interesting start and end.

Before starting to create a green screen video, you need to shoot video clips before a green screen backdrop. Or you can also download some green screen background videos from the websites we list in Part 2. Drag and drop your videos to Filmora Video Editor first.

Alternatively, you can click the 'Import Media Files Here' icon to import your videos to this program as well. In this step, please drag and drop your videos to the PIP track in the timeline to continue.

Or you can right-click on the video clip to choose 'Apply to PIP' in the user album. Right click on the video, you will get a drop-down menu immediately. Now you should choose 'Green Screen'. After getting a 'PIP Inspector' window, in 'Image' or 'Video' tab, you can find 'Chroma Key Green Screen ' feature, select the color as 'green', and you have the choice to adjust the intensity level.

Clicking the green screen background to set it to transparent. At last, hit 'OK' to save it. Here we have a ball on a microphone-stand, which is doubling as a parallax-stand — notice the tracking markers on it. Here we're assuming that the ball represents the eyes of a 3D character.

ISSUES: There's no way to track a 3D cup in a satisfying way — this is going to take some poor tracking artist a very long time, and it'll never look completely good. On top of that, unless the virtual cup has the exact same shape, it has to be roto'ed. You sometimes see people do this on a green screen, not realizing that it will cause two weeks of hell afterwards.

There's no point in tracking a virtual cup when you can just use a real one. Wrinkles dramatically increase the color range the keyer has to accept as green, and you have to totally crunch the key to remove the wrinkles — and the keyer has to spend all its strength on the wrinkles instead of making a spectacular key. TRY THIS: You can of course let the keyer just extract the shadow as part of the key, but you have much more control if you turn the shadow into a separate element — then you can control the density and color of the shadow easily.

This seemingly innocent shot is the pinnacle of hardcore compositing, and is extremely difficult. ISSUES: In addition to figuring out how to manage the shadows, you have to deal with getting the markers out of the shadows, and again there are wrinkles.

Thankfully, she doesn't step too close to the wrinkled areas. Also, we made a white balance mistake on this shot, so there's a yellowish tint to the green screen. See if you can figure out the channel-math needed to extract the shadow without getting double-shadows Hint: This is explained in the Receiving Shadows Sample Clip. It seems counter-intuitive, but it's actually pretty straightforward to key a car on a green screen, despite massive reflections, as long as it's standing still and the shot is locked.

ISSUES: When the car is reflecting green, the keyer has no way of knowing that the car isn't part of the green screen, and we get a hole in the matte.

Also try to animate some movement, both in the car, and some camera shake in the entire composite. If you can, it's always best to not shoot cars on green screen in wide shots, where you see the outer edge. ISSUES: You'll find that it's actually quite easy to key through the windows and through the reflections in the glass. The hard part is the outer edge, which has to be roto'ed. No keyer settings will give you a solid outer edge.

Put some moving footage in the background. The problem will be that the reflections don't move as they should. Sure, you can fix some reflections in the window glass, but the entire car needs animated reflections, which is no small feat. The lesson is to do green screen car shots as close as you can tolerate getting. But let us know if you do something cool! You may even include a few original clips with our permission. Link to this page instead. The plates have limitations that weren't important to us because we had specific needs, but for film production, we don't consider them good enough.

Read why here. They are in original camera resolution, so the p plates have a pixel aspect of 1. This way, they become x and x respectively. Virtual Set Plates Please download only the stuff you need.

Matchmove Test Wide Loading the player Matchmove Test Close Loading the player Embassy Shootout Loading the player F15 Fly-Over Loading the player Window Set Extension Loading the player Failed Matchmove Loading the player Keying Plates Please download only the stuff you need. Godiva Close Loading the player Godiva Medium Loading the player This second plate is a little wider, but still no ground contact. Godiva Wide Loading the player